THE BROOKLYN MUSEUM TO PRESENT “FRIDA KAHLO: APPEARANCES CAN BE DECEIVING”

Self-portrait on the Border between Mexico and the United States of America, Frida Kahlo, 1932. © Modern Art International Foundation, Courtesy María and Manuel Reyero.

February 8–May 12, 2019
The Brooklyn Museum
Robert E. Blum Gallery, 1st Floor

Frida Kahlo: Appearances Can Be Deceiving is the largest U.S. exhibition in ten years devoted to the iconic painter Frida Kahlo and the first in the United States to display a collection of her clothing and other personal possessions, which were rediscovered and inventoried in 2004 after being locked away since Kahlo’s death, in 1954.

Kahlo’s personal artifacts—which range from noteworthy examples of Kahlo’s Tehuana clothing, contemporary and pre-Colonial jewelry, and some of the many hand-painted corsets and prosthetics used by the artist during her lifetime—had been stored in the Casa Azul (Blue House), the longtime Mexico City home of Kahlo and Rivera, who had stipulated that their possessions not be disclosed until 15 years after Rivera’s death. The objects shed new light on how Kahlo crafted her appearance and shaped her personal and public identity to reflect her cultural heritage and political beliefs, while also addressing and incorporating her physical disabilities.

Frida Kahlo’s boots, photographed by Ishiuchi Miyako for his 2013 exhibition, “Frida by Ishiuchi Miyako.”

They are displayed alongside important paintings, drawings, and photographs from the celebrated Jacques and Natasha Gelman Collection of 20th Century Mexican Art, as well as related historical film and ephemera. To highlight the collecting interests of Kahlo and her husband, muralist Diego Rivera, works from the Brooklyn Museum’s extensive holdings of Mesoamerican art are also included.

Frida Kahlo: Appearances Can Be Deceiving is based on an exhibition at the V&A London curated by Claire Wilcox and Circe Henestrosa, with Gannit Ankori as curatorial advisor. Their continued participation has been essential to presenting the Brooklyn exhibition, which is organized by Catherine Morris, Sackler Senior Curator for the Elizabeth A. Sackler Center for Feminist Art, and Lisa Small, Senior Curator, European Art, Brooklyn Museum, in collaboration with the Banco de México Diego Rivera and Frida Kahlo Museums Trust, and The Jacques and Natasha Gelman Collection of 20th Century Mexican Art and The Vergel Foundation.

 

   
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